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Faizan Mushtaq

Faizan believes storytelling and science both rely on curiosity. A Chemistry graduate from the University of Kashmir, he enjoys exploring pop culture, reading thrillers, and revisiting Interstellar whenever inspiration runs low. Outside work, he spends time photography hunting and discovering indie music.

Why You Should Watch ‘Knight of Cups’ as a Visual Meditation, Not a Movie

April 30, 2026

Before ‘Dune’, How Denis Villeneuve Mastered the Impossible With ‘Blade Runner 2049’

April 30, 2026

Pixar’s ‘Coco’ Changed How We Think About Death, Family, and the Afterlife

April 30, 2026

How Béla Tarr’s ‘The Turin Horse’ Explores the Themes of Nihilism and the Vision of the Apocalypse

April 30, 2026

Why Spike Jonze’s ‘Her’ Is the Spiritual Sequel to Sofia Coppola’s ‘Lost in Translation’

April 30, 2026

Before Salma Hayek We Had Ofelia Medina as the Definitive Frida Kahlo

April 29, 2026

Terrence Malick’s ‘The Tree of Life’ Is the Closest Cinema Has Ever Come to a Human Prayer

April 29, 2026

Anne Hathaway Shuts Down the Devil Wears Prada 2 Controversy About Size-Zero Models

April 29, 2026

Andrei Tarkovsky’s ‘Nostalghia’ Is the Ultimate Movie About the Pain of Being Away From Home

April 29, 2026

Why Miyazaki Abandoned Fantasy for the True Story of Jiro Horikoshi in ‘The Wind Rises’

April 29, 2026

Why ‘Paprika’ Explores the Human Psyche Better Than ‘Inception’

April 29, 2026

Is ‘The Good Dinosaur’ Actually Bad? A Retrospective on Pixar’s First Box Office Bomb

April 29, 2026